My journey in cabaleta

In 2020, I began collaborating with the guys on their debut album launch—an enriching journey where I had the privilege of visually interpreting their songs. It was an opportunity to invite other artists to contribute, leaving their mark and enriching the creative process.

These first two projects encapsulate the essence of both campaigns. However, beyond that lies a creative evolution, marked by my transition from photography to video and the iterative process I've undertaken with the band.

Cabaleta 1st album.

I curated a unique launch experience for this album, utilizing diverse visual styles for each song to gauge fan reactions effectively. I also was able to create their artwork for a the album.

Cabaleta: LAberinto


For the release of their second album, we embarked on a creative journey to craft a dynamic launch strategy. I collaborated with Cris Is In Crisis to design the artwork for the vinyl.

Video Capsules

Transitioning from photography to video presented its own set of challenges. Figuring out how to edit, create compelling content, and maintain a seamless flow proved to be quite daunting. To tackle this, I began experimenting with short video snippets, capturing moments of Cabaleta's activities to hone my skills in crafting recap videos. Here's one of my early attempts, featuring a live session.

Cabaleta - Laberinto Documentary.


The next phase of this journey involved building upon the insights gained from our initial endeavor. We seized the opportunity to accompany Pedro Rovetto in Bogota, Colombia, as he recorded Cabaleta's second album. Joining forces with my friend Miguel Pereira, we documented the entire process and crafted a concise video recap. Transitioning from a single-day shoot to a multi-day project brought its own set of challenges, requiring a delicate balance between observation and active participation without disrupting the creative flow.

Post-production proved to be more complex than anticipated. Collaborating with Miguel, we iterated on drafts, striving to perfect the final product. Eventually, we enlisted the expertise of Enrique Diaz to enhance the post-production sound, giving the documentary a fresh perspective.

Reflecting on the project, I'm pleased with the outcome. Valuable lessons were learned along the way, particularly in the realm of color correction, where the use of different cameras without proper color balancing posed unexpected challenges. Additionally, from a storytelling standpoint, there's room for improvement. Looking back, I recognize opportunities to convey certain narratives more effectively and allow the piece to breathe, enhancing its overall impact.


During the trip, I opted for a 35mm film camera to document our journey. A delightful twist occurred when we discovered a shortage of color film rolls, leading me to experiment with black and white film instead. This unexpected turn added a unique flair to the photography, infusing it with an extra touch of personality. I shot four rolls, and the images captured on them stand out as the best of the bunch.

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Alejandro Toro